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- Berichten: 7261
- Lid geworden op: 02 jan 2009, 15:28
- Locatie: Blaricum
People crave nostalgia. We live in an age where technology evolves faster than we can blink. 90s kids miss the 90s, 80s kids the 80s and so on. With a younger, fresher look on the world around us, we view the past with rose colored lenses and technology was decidedly more primitive so things seemed to move “slower” if you will. As of late, there seems to be a movement to recapture the singer-songwriters of the 60s/70s – it’s interesting and not a bad thing. It just shows how cyclical we are. Dave Heumann of Arbouretum is venturing out on his own for the first time and the lone track we have for preview, a somewhat anachronistic “Ides of Summer,” from Thrill Jockey shows promise. Thrill Jockey is traditionally tight-lipped about what their future releases hold so we really only have “Ides of Summer” and their synopsis to give us insight. Listen to “Ides of Summer” by clicking through the Buy Now button below and see what you think of it. Cheers!
Dave Heumann, leader of the beloved Arbouretum, branches out with his debut solo record, Here in the Deep. While Arbouretum was on a year-long hiatus, Heumann continued writing, finding himself with a collection of material that displayed a different style of songwriting than in his past efforts. The recording of these songs gave Heumann a chance to play with a talented group of friends, including Walker Teret of Lower Dens, drummer/percussionist Mike Kuhl, Wye Oak’s Jenn Wasner, and accomplished pianist Hans Chew, among others. The songs on Here in the Deep were arranged with a mind to explore textures outside of what Arbouretum typically embodies. Significantly, Here in the Deep was mixed by John Parish (PJ Harvey, Tracy Chapman, Giant Sand) whose sense for the deep, warm spaces the songs occupy allowed him to give the album a distinct clarity not found on any Arbouretum album. Here in the Deep is a lush showcase of the considerable lyrical, vocal and guitar talents of Dave Heumann and, for the listener, a rich escape.
Highly informed by folk and pop traditions, the album’s ten tracks are so well crafted that they seem instantly familiar. Lyrically, the songs touch on themes at once cosmic and universal: the connection of the human spirit to its environment, and different routes to navigate within. There is a paradoxical lightness to the recording juxtaposed with a deeply resonant sense to the words. On the title track, Heumann’s languid guitar lines and soothing, intimate vocals lull the listener, as he sings about abandon of logic and reason — “Go to sleep / Cloud cover creeps / Here in the deep / Sentience seeps”. On “Holly King on a Hill”, a middle eastern frame drum saunters forth setting the tone as Heumann paints a picture of an era undefiled by the passage of time- resplendent oaks, over abiding darkness, and a seed of hope for renewal. Nowhere is the play between light and dark more apparent then “Greenwood Side,” Heumann’s reworking of a traditional folk song. The elegant vocal duet of Wasner and Heumann uplifts and the guitar lines soar as Heumann tells a grim tale of a mother murdering her twins because she is a maiden, thereby placing herself in the hands of Hell.
In many ways, Heumann’s venture out on his own has brought him back to what’s closest to him in life and music while at the same time blazing forth into a brave new frontier as an artist. “I went out to look for tinder, and found myself on fire,” sings Heumann— a simple metaphor for the flames of inspiration burning throughout Here in the Deep. Sometimes it takes a jump off the cliff to discover you can soar.
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